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2x Doepfer A-111-3 Micro Precision VCO / VCLFO.Delptronics Little Drummer Boy + Expansion (LDB-2e + LDB-2x).
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This setup gives me option for everything from triggering drums and playing with sequencing music from synths to setting up drones and seeing how sound can be tweaked: I believe I’m pretty well set up and have a lot to learn before I make any additional significant purchases. While fairly low end (especially the speakers) it’s a good setup for experimenting and deciding how much further I want to take things. When expanding I started out with the basic (but fantastic) Moog Mother-32 and the cost effective Arturia BeatStep Pro, but soon after realized that for the kind of experimenting I wanted to do a few discrete modules would be really nice.
#Illustrate perfecttunes review Patch#
Conveniently I had an old analog oscilloscope and quality multimeter, things which are surprisingly useful when troubleshooting why a patch isn’t doing what was hoped. This setup also allowed me to connect some of my older DIY gear stuff that I’d been longing to hear for a while. As of now I’ve mostly settled on a suite of modules, with just enough stuff that I’ve still got loads of learning to do and lots to explore. With some self-built gear sitting around on the shelf and a newfound empty space in my closet, I decided to put much of it back together, but this time acquiring something that’s much more hospitable to experimentation: a eurorack-format modular synthesizer. This ranged from the Electrix suite of effects, some drum and synth modules (Yamaha TX81Z, Alesis D4), self-built x0xb0xes, some MIDIbox SID-NUXXs (where I learned the basics of PCB layout), but they all seemed too oriented around song composition and didn’t work well when I simply wanted to play with sound. Over the years I’ve ended up owning, and in many case building, a number of piece of music equipment. I remember using the shaft of spinning electric motor pressed against the mic of a cheap cassette recorder to simulate chainsaw sounds, putting my ear against different parts of my sister’s Casio SK-1 (where I also learned about ADSR) as the case vibrated and tone changed, and intently listening to The Downward Spiral picking out samples (puffing a drinking straw, fingers brushing over metal grating). While I love great music, sounds themselves are most interesting to me. Just disappointing.unless I'm wrong in that the purchased version is actually better.For pretty much as long as I can remember I’ve been interested in experimenting with sound. I can do that now with MP3Tag (which actually does online lookup).although the de-dup feature would be nice.
#Illustrate perfecttunes review trial#
So that leads me to believe that the app would be identical to the trial with just the ability to actually execute on actions. Unless this is because it's a trial, but the trial states that it won't allow you to execute any of the changes (ID tags, album art, delete dups, etc.). I was expecting the same with PT but was disappointed that it looks like it's just a GUI to manually edit ID tags, without any online DB search for metadata. Like when tagging with dBpa (pre-rip), it shows metadata from 4 different sources. I would love an app that does what PT claims to do, but I was just expecting the same quality of dBpa (with the PT trial), specifically with ID tagging for my existing MP3 collection that I'm not able to re-rip with dBpa. I'm not debating getting one over the other, but debating on whether it's worth getting PerfectTunes on top of dBpa. PerfectTunes is good for checking AccurateRip confirmation "after the fact" post ripping and for checking for duplication and for finding different/better artwork (again, after the fact.)No, I understand they are different.
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for ripping, converting, tagging, etc., dBpa is the program you want. DBpa and PerfectTunes do entirely different things.